Two Final Girls Micros, at No Contact (May 2021)

Meatier/Meteor, at HAD (May 2021)

Girls in Space Be Wary, at CHEAP POP (January 2021)

There’s a Trick with a Knife, at Okay Donkey (selected for Best Microfiction 2021 & longlisted for the Wigleaf Top 50 Very Short Fictions, 2021) (November 2020)

Final Girls Late-Night Running Club, at Hayden’s Ferry Review, Brief Haunts Online Issue (nominated for The Pushcart Prize 2021 & The Best Small Fictions 2021) (November 2020)

It Came from the Bottom of the Lake (1954), at Fractured Literary (nominated for The Best Small Fictions 2021) (August 2020)

Emmy Vs. the Bellies, at Hobart (July 2020)

You Don’t Know What’s Important Yet, at Lost Balloon (nominated for The Pushcart Prize 2021) (May 2020)

Nothing is Ever Missing in the Town of Missing Girls, at X-R-A-Y Literary Magazine, Boneyard Special Issue (October 2019)

When You First Meet the Telepath, at Jellyfish Review (selected for Best Microfiction 2020 & selected for the Wigleaf Top 50 Very Short Fictions) (March 2019)

Greased Lightnin’, at Pidgeonholes (nominated for Best of the Net Anthology 2018 & Best Microfiction 2019) (June 2018)

Abstinence Only, at Passages North (selected for Best Microfiction 2019 & The Best Small Fictions 2019) (June 2018)

Say Her Name Three Times then Turn Around, in Black Candies: The Eighties (print only) (March 2018)

Now that the Circus Has Shut Down, the Human Cannonball Looks for Work (+ a postcard), at wigleaf (nominated for The Pushcart Prize 2020 & The Best Small Fictions Anthology 2019) (February 2018)

On the Line, at matchbook literary magazine (January 2018)

Chastity Belt, at formercactus (nominated for Best Microfiction 2019) (January 2018)

Patience, Patience, Hortense, and Wilbur, at Cotton Xenomorph (December 2017)

Goodbye Mary, Goodbye Jane, at Hobart (December 2017)

A Girl’s Guide to Being a Rhonda, at gravel., in collaboration with Amy Rossi (Wigleaf Top 50 Very Short Fictions, 2018) (December 2017)

V-Card, at Paper Darts & In Shades Magazine (October 2017)

Final Girl Slumber Party, at Barrelhouse online, Barrelhouse of Horrors Halloween issue (Wigleaf Top 50 Very Short Fictions 2018 & selected for selected for Best Microfiction 2019 ) (October 2017)

Koosh Motel, at Split Lip Magazine (nominated for The Best Small Fictions Anthology 2018) (June 2017)

Mayflies, at CHEAP POP (nominated for Best of the Net Anthology 2017, The Pushcart Prize, & The Best Small Fictions Anthology 2018; longlisted for the Wigleaf Top 50 Very Short Fictions, 2018) (May 2017)

Pieces, at (b)OINK Zine (longlisted for the Wigleaf Top 50 Very Short Fictions, 2018) (March 2017)

If Mary Didn’t Get in the Car at the End of “Thunder Road,” at The Mondegreen (February 2017)

The Creature from the Black Lagoon and Other Things I Wish My Boyfriend Would Call Me During Sex, at The Mondegreen (February 2017)

No One is Coming to Save Me, at Lockjaw, Vol. V (February 2017)

My Sister is Dead and Now Lives on the Moon, at Bartleby Snopes (December 2016)

She Feels Self-Conscious about Her Teeth, at Jellyfish Review, as part of the Lady Monsters series (December 2016)

Angel Peaches Baby Honey Sweetie Pie Sugar, at WhiskeyPaper (nominated for The Best Small Fictions Anthology 2017) (November 2016)

Rules, at matchbook literary magazine (nominated for The Best Small Fictions Anthology 2017) (October 2016)

What Didn’t Happen When We Watched Fight Club, at Chicago Literati (February 2016)

Field Trip, October 3, at Corium Magazine (November 2015)

Somethings are Easier to Explain than Others, Corvus Review, Fall 2015 (pg. 35) (October 2015)

Sorry About Your Dad, Corvus Review, Fall 2015 (pg. 35) (October 2015)

Guys I Dated While Pretending I Wasn’t in Love with You, at Maudlin House (October 2015)